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History:
Marilyn Manson is a five piece "industrial" metal band from the Ft. Lauderdale area of Southern Florida. They were originally named Marilyn Manson and the Spooky Kids, which was founded in 1989.
The original line-up was reportedly: Marilyn Manson, vocals; Daisy Berkowitz, lead guitar/drum machine programming; Olivia Newton-Bundy, Bass; Zsa Zsa Speck; and an unnamed drum machine. Zsa Zsa and Olivia were replaced early on by Gidget Gein, bass, and Madonna Wayne Gacy, keyboards.
The drum machine (a Yamaha RX8 ) was replaced by Sara Lee Lucas, who played his first show with the band on July 19, 1990. Twiggy Ramirez replaced bassist Gein in December 1993. Ginger Fish replaced drummer Lucas in March 1995. Daisy Berkowitz announced his resignation from the band in May of 1996. His replacement was renamed Zim Zum.
Where did they pluck those names from?
"Marilyn Manson sort of started coming about in 1990 - the name. It's something that sort of came to me from watching a lot of talk shows and Hollywood Babylon and those types of things and realize that Marilyn Monroe and Charles Manson were some of the most memorable people from the '60's for me. I thought - in the tradition of philosophers like Hegel - the juxtaposition of diametrically opposed archetypes: taking two extremes, putting them together, and coming up with something totally different. And that's kinda what we did with Marilyn Manson, it's male/female...good/evil...god/Satan...push/pull, whatever words you want to come up with. That kind of defines my personality and represented the lyrics that I was writing. Then I met the guitar player and we wrote some songs together. And from there we just found some other people who were into what we were into."
Outlook:
"We're about that balance, you know. For example, this really comes into play here in Salt Lake City. It's a very moral, Christian sort of environment, so we're that balance that has to go against that. We're the devil's advocate, the accuser, the opposing side, you know, the underdog. That's kind of always our goal is to be on that side of the fence. We really represent individuality. Kid's should think for themselves. Not to be like your friends who think they're individuals, but to be like you. Not to be like us, but to be what YOU are. Our music doesn't have anything to do with the way you look, or anything like that, it's what's in your head. Break out of the herd mentality and realize that it's the hear and now. That there's no afterlife that's going to justify or punish. You have to make what you've got now work for you, and realize that everything pretty much is a lie, everything's a hoax. That's why Marilyn Manson is such a beyond fake stage name, is to represent that it's so fake that it becomes real at that point. If you realize your hypocrisy, then you go past it. A lot of people in this city that have prohibited us from play are sort of cheating themselves with self-deceit, saying, 'It's OK for us to do this behind closed doors, but they can't do this here.' Really all it comes down to is money, and someone here was at risk of loosing money, obviously. I don't think it was ever about morals, because morals are always decided by who has the most artillery or money. It's not really about what really matters - no body really cares about the kids here, nobody cares about exposing the kids to this obscene Marilyn Manson show, they just care about money. We, on the other hand, actually DO care about the kids, and what we're saying is a very harsh reality, and it's not diluted and wrapped up in lies like their parents wrap are giving them. That's why their parents don't like it, because we're ruining their game, their big scam.
"I mean, the bottom line is that if any one does find what we do offensive, they should just turn it off. There's a lack of listener responsibility. People always want to put the responsibility on artists, or movies, or T.V. It's kind of late for that, you know. I was brought up with all of these things - T.V. and violence and sex, drugs, rock & roll, caffeine, sugar, all these things. We've turned out a certain way and we've become accustomed to it, and now they've decided, 'well, this isn't going to work. Let's use nutrasweet, let's have less violence.' It's too late for that. You've made us out like this, and you have to deal with it.
"It's not that bad. I'm not saying we're 'bad' from our perspective. We're moral people. We're not trying to be immoral. We're just showing them that not everyone has the same morals. This is what we believe, and you believe what you want."
"Um.... We're not going to try and kid anyone and say, 'we don't want to become popular, and anyone to know who we are.' That's part of being a band, being entertainers. The more people that we reach, the better. I don't want to remain an underground secret. However, we still want to hang on to what we're about. We're not going to change what we're doing to fit into that. Like tonight, for example, they asked us to change what we do and we could play, and we said, 'No' and they refused to let us play. This tour has been great exposure and we have no complaints at all about it."
These quotes were taken backstage after the NIN/ MARILYN MANSON show in Salt Lake City, where Marilyn Manson was banned from performing at an all-ages concert at the Delta Center (RAD Cyberzine, 1994)
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